SOLO Exhibitions "PATHWAY"
"Crossing Art" gallery, Chelsea Manhattan, NY
February 2026
The link to the article in ART FOCUS NOW
https://share.google/C64JW5fMXtTsiNf5q
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βGroup exhibition " 3 ARTIST, 3 VISIONS"
Mora Museum of International Art, NJ
February 2026,
curated by Emil Silbermanβ
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"Crossing Art" gallery, Chelsea Manhattan, NY
November 2025,
Exhibitions of two artists - Dima Alekseyev and Emil Silbermane
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Exhibition ''FACTORY + ART = ''
November 2025,
curated by Emil Silberman,
Paterson's Art Factory, NJ
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Exhibition "Echoes of Silent Memories"
June-July 2025,
Watson Gallery in Chamblee, Ga
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Exhibition ''FACTORY + ART = ''
2024,
curated by Emil Silberman,
Paterson's Art Factory, NJ
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Participation in the "ART ON PAPAER" Fair- 2024, NEW YORK
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TRACES ON THE EARTH - the solo exhibition in MORA Museum of International Art - August 9th - August 12th, 2024
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My previous exhibition, dedicated to refugees and immigration, was called “Looking at the Sky.” This is a very sad topic, related to the forced separation of a person and their children from their home and established life.
The next stage of exploring this topic makes me lower my eyes to the ground. I see the scars and marks of suffering and tears left by people when they left their homes. The earth keeps their traces; they do not disappear, they only layer upon each other, forming cultural strata.
But immigration was not the end of the world or the end of life, which cannot be said about the new wars where there were none just two years ago. There is an internal and external war, the killing of adults and children; anger fueled by lies is growing; a mass of people, under the influence of, let’s say, dark forces, justifies terrorism, demands the death of an entire people, demands that this people stop fighting for their existence; rivers of blood and tears are flowing. Phenomena like the Holocaust and genocide are looming on the horizon again. I fear that now anti-Semitism has greatly expanded its geography, and we cannot yet assess the consequences of its mutation.
The Tower of Babel is destroyed again, and people stop understanding each other. Such conditions create a favorable environment for the manifestation of the worst qualities of a person. In such a world, only individuals with certain types of mentality – dictator and slave – can survive. They kill our freedom, and it becomes harder for us to breathe, and we need a lot of strength to resist and fight.
In this project, I made blue the symbol of freedom. Here, BLUE is not a color in the artist’s palette, but a symbol of freedom and democracy. For example, the blue top of the Ukrainian flag, the Blue Star of Israel, the blue color of the Democrats in America – all of this is now in great danger. If we do not fight for blue, the life and freedom of many people will be in danger, as it happened in Russia.
Russia has lost its Blue. Only red blood remains, which it sheds inside and outside the country. Russia has now turned to the brown color – the color of fascism.
I want people viewing the exhibition to sharply realize that the world is changing rapidly. That freedom, security, and happiness will not come by themselves.
This is my alarm for democracy.
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After an exhibition at the MORA Museum in New Jersey, two of my works ended up at the PERSEUS GALLERY in Soho in New York.
November 2023
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L O O K I N T O T H E S K Y - the exhibition in MORA Museum of International Art - November 16th - November 24th, 2024
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The main idea of my exhibition is to reflect on the global processes that are currently taking place in the world.
I’m talking about human migrations that are caused by wars… I believe if we compare them to the natural phenomena - the closes thing would be a tectonic shift. Fundamental transformation and profound reordering…
The topic of fugitives and refugees has been especially close to my heart since 2016, when I realized that it’s time for me and my family to leave Russia.
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Since that time all my works are one way or another related to this topic. Russian-Ukrainian war gave me additional impetus for further exploration in this direction.
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I explore the stages the person goes through while reconciling with this new status - from pain and loss, feeling totally alien and unwanted in a new place, to nostalgia, homesickness and hope to return, transforming into realization that return isn’t possible… to very slowly accepting this new place and welcoming new opportunities, to first smiles of success.
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I see the innate fragility of human nature - both physical and spiritual, emotional - and try to convey it through my art.
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A small exhibition dedicated to REFUGEE DAY in the Refuge Coffee,
June 2023
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The old gods are watching us
2019
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Π‘ontinuation of the REFUGEE project
2018
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The new art work from Moscow summer holidays.
July 2018
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"Grove Street Festival" Gainesville FL April 28, 2018
Sculpture "Something About Love" and "Jump Out of the Shadows."
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"Grove Street Festival" Gainesville FL April 28, 2018
ΠΡΠ΅ ΠΏΡΠΎΡΠ²Π»Π΅Π½ΠΈΡ Π»ΠΈΡΠ½ΠΎΡΡΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ ΠΌΠΎΠΌΠ΅Π½ΡΠ° Π΅Π³ΠΎ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΡ Π½Π° ΠΠ΅ΠΌΠ»Π΅ ΠΎΡΡΠ°Π»ΠΈΡΡ Ρ Π½ΠΈΠΌ ΠΌΠ°Π»ΠΎ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ²ΡΠΈΡΡ. Π Π‘ΡΠ΅Π΄Π½ΠΈΠ΅ ΠΠ΅ΠΊΠ° ΡΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π»ΠΎΡΡ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ ΠΈ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΡ Π»ΡΠ΄ΡΠΊΠΈΡ ΡΡΡΠ°ΡΡΠ΅ΠΉ ΠΈ ΠΏΠΎΡΠΎΠΊΠΎΠ². ΠΡΠΎ Π₯ΠΈΠΌΠ΅ΡΡ. ΠΡ Π½Π΅ ΡΡΠ»ΠΈ Π΄Π°Π»Π΅ΠΊΠΎ ΠΎΡ Π‘ΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΡΡ, Π·Π½Π°ΡΠΈΡ Ρ Π½Π°Ρ Π΄ΠΎΠ»ΠΆΠ½Ρ Π±ΡΡΡ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ Ρ ΠΈΠΌΠ΅ΡΡ.
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Street Art Theatre
The Street Art Theater consists of small plays, or stories, told through silhouettes in the sky. The stage of this theater can be the roofs and/or walls. The themes of these stories are ideas inspired by the artist’s experiences and imagination.
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ΠΠΈΠΌΠ° ΠΠ»Π΅ΠΊΡΠ΅Π΅Π² -
ΠΠΠ¨Π Π ΠΠCMΠΠ‘Π ("OURS IN THE COSMOS")
Organized by the Moscow Museum of Modern Art / ΠΎΡΠ³Π°Π½ΠΈΠ·ΠΎΠ²Π°Π½ΠΎ MΠΎΡΠΊΠΎΠ²ΡΠΊΠΈΠΌ MΡΠ·Π΅Π΅ΠΌ CΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΡΠΊΡΡΡΡΠ²Π°
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"Ours in the Cosmos" meaning – our own [people] in space – is not only proudly acknowledging the presence of Russians in this new territory but also a tribute to the bravery of human kind as a whole – which knows no bounds – and the ingenuity of human thought which leaps over the horizon of what is previously impossible. I see man as living cosmic matter. It is an inseparable part of us. The blackness of space is a mere shadow, our projection, in a metaphysical sense. Sailing out into deep space is only part of a bigger experiment set by man whose larger goal is to understand his role and place in the universe.
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Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ Π‘ΠΎΡΠ· Π²ΡΠ΅Π³Π΄Π° ΡΠ»Π°Π²ΠΈΠ»ΡΡ ΡΠ²ΠΎΠΈΠΌΠΈ Π΄ΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΡΠΌΠΈ Π² ΠΊΠΎΡΠΌΠΎΡΠ΅. Π€ΠΎΡΠΌΠ°Π»ΡΠ½ΠΎ ΠΌΠΎΡ ΡΠ°Π±ΠΎΡΠ° ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΡΡΠΎΠΌΡ ΠΏΠ΅ΡΠΈΠΎΠ΄Ρ Π½Π°ΡΠ΅ΠΉ ΠΈΡΡΠΎΡΠΈΠΈ, Π½ΠΎ Ρ Π²ΠΈΠΆΡ ΡΠΎΠ²ΡΠ΅ΠΌ Π΄ΡΡΠ³ΡΡ ΠΏΠΎΠ΄ΠΎΠΏΠ»Π΅ΠΊΡ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ Π»ΡΠ΄Π΅ΠΉ Π² Π±Π΅Π·Π²ΠΎΠ·Π΄ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²ΠΎ.
«ΠΠ°ΡΠΈ Π² ΠΊΠΎΡΠΌΠΎΡΠ΅» - ΡΡΠΎ Π½Π°Ρe ΠΏΡΠΈΡΡΡΡΡΠ²ΠΈΠ΅ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π² Π΄ΡΡΠ³ΠΎΠΌ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅, ΡΡΠΎ ΠΏΠΎΡΠ²ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΡΠΌΠ΅Π»ΠΎΡΡΠΈ, Π½Π΅ Π·Π½Π°ΡΡΠΈΠΉ Π³ΡΠ°Π½ΠΈΡ, ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΠΌΡΡΠ»ΠΈ, ΠΏΠ΅ΡΠ΅ΡΠΊΠ°ΠΊΠΈΠ²Π°ΡΡΠ΅ΠΈ Π·Π° Π³ΠΎΡΠΈΠ·ΠΎΠ½Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΠ³ΠΎ. Π― ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° ΠΊΠ°ΠΊ ΡΠ°ΡΡΡ ΠΆΠΈΠ²ΠΎΠΉ ΠΊΠΎΡΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠΈ. OΠ½Π° ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΡ ΠΈΠ· ΠΊΠΎΡΠΌΠΎΡΠ° ΠΈ ΡΡ ΠΎΠ΄ΠΈΡ Π² Π½Π΅Π³ΠΎ.
Π§Π΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅Π½ΠΈ, ΠΏΡΠΎΠ±ΠΈΡΡe ΡΠΎΠ·Π²Π΅Π·Π΄ΠΈΡΠΌΠΈ - ΡΡΠΎ ΠΈ Π΅ΡΡΡ ΠΠ°ΡΠ΅ ΠΠ΅Π±ΠΎ. OΠ½o Π½Π΅ΠΎΡΠ΄Π΅Π»ΠΈΠΌo ΠΎΡ Π½Π°Ρ. OΠ½o ΠΈ ΠΌΡ ΠΎΠ΄Π½ΠΎ ΡΠ΅Π»ΠΎΠ΅, ΡΠ°ΡΡΡ ΠΎΠ΄Π½ΠΎΠΉ ΠΈ ΡΠΎΠΉ ΠΆΠ΅ ΠΌΠ°ΡΠ΅ΡΠΈΠΈ. Π§Π΅ΡΠ½oΡa ΠΊΠΎΡΠΌΠΎΡΠ° - Π²ΡΠ΅Π³ΠΎ Π»ΠΈΡΡ Π½Π°ΡΠ° ΡΠ΅Π½Ρ ΠΈΠ»ΠΈ Π½Π°ΡΠ° ΠΏΡΠΎΠ΅ΠΊΡΠΈΡ Π² ΠΌΠ΅ΡΠ°ΡΠΈΠ·ΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΠΌΡΡΠ»Π΅. BΡΡ ΠΎΠ΄ Π² ΠΎΡΠΊΡΡΡΡΠΉ ΠΊΠΎΡΠΌΠΎΡ - ΡΡΠΎ Π²ΡΠ΅Π³ΠΎ Π»ΠΈΡΡ ΡΠ°ΡΡΡ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠ°, ΠΏΠΎΡΡΠ°Π²Π»Π΅Π½Π½ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠΎΠΌ, ΠΎΡΠ½ΠΎΠ²Π½Π°Ρ ΡΠ΅Π»Ρ ΠΊΠΎΡΠΎΡΠΎΠ³ΠΎ ΠΎΡΠΎΠ·Π½Π°Π½ΠΈΠ΅ ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΌΠ΅ΡΡΠ° ΠΈ ΡΠ²ΠΎΠ΅ΠΉ ΡΠΎΠ»ΠΈ Π²ΠΎ ΠΡΠ΅Π»Π΅Π½Π½ΠΎΠΉ.
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"ΠΠ° ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΌ ΡΡΠ°ΠΏΠ΅ ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ ΠΎΡΡΠ°Π²Π»ΡΠ΅Ρ Π²ΡΠ΅ Π²ΠΎΠΊΡΡΠ³ ΡΠ΅Π±Ρ"
("At the last stage of existence a person poisons everything around him")
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"Be Still"
January 10, 2017
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Π― ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ Π³ΠΎΡΠΎΠ΄ ΠΊΠ°ΠΊ ΠΊΠΈΠ½ΠΎΠΏΠ»ΠΎΡΠ°Π΄ΠΊΡ, ΠΈΠ»ΠΈ ΠΏΠ°Π²ΠΈΠ»ΡΠΎΠ½ Π΄Π»Ρ ΡΡΠ΅ΠΌΠΎΠΊ , Π² ΠΊΠΎΡΠΎΡΠΎΠΌ Π²ΡΠ΅ Π±Π΅Π· ΠΈΡΠΊΠ»ΡΡΠ΅Π½ΠΈΡ ΡΡΠ°ΡΡΠ½ΠΈΠΊΠΈ. Π‘ΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎ ΠΆΠΈΠ·Π½Ρ Π³ΠΎΡΠΎΠ΄Π°, ΡΡΠΎ ΠΎΠ³ΡΠΎΠΌΠ½ΡΠΉ ΠΊΠΈΠ½ΠΎΡΡΠ΅Π½Π°ΡΠΈΠΉ, ΠΏΠΎΠ»Π½ΡΠΉ ΡΡΠΆΠ΅ΡΠΎΠ², Π° Π΄ΠΎΠΌΠ°, ΡΠ»ΠΈΡΡ, ΠΌΠΎΡΡΡ, ΠΌΠ°ΡΠΈΠ½Ρ ΠΏΡΠΈΠ²Π΅Π·Π΅Π½Ρ ΡΠΎ ΡΠΊΠ»Π°Π΄Π°. ΠΡΠ΅ ΡΡΠΎ Π³Π΄Π΅-ΡΠΎ Ρ ΡΠ°Π½ΠΈΠ»ΠΎΡΡ, ΡΡΠ΄Π° ΠΈ Π²Π΅ΡΠ½Π΅ΡΡΡ, ΠΈΠ»ΠΈ, ΠΊΠ°ΠΊ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠΈ, ΡΠ°Π·Π±Π΅ΡΡΡ. ΠΡΠ° ΠΌΡΡΠ»Ρ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠ΄ΠΈΠ»Π°ΡΡ, ΠΊΠΎΠ³Π΄Π° Π½Π° ΠΎΠ΄Π½ΠΎΠΌ ΠΈΠ· ΠΌΠΎΡΡΠΎΠ² Ρ ΡΠ²ΠΈΠ΄Π΅Π» ΠΈΠ½Π²Π΅Π½ΡΠ°ΡΠ½ΡΠΉ Π½ΠΎΠΌΠ΅Ρ. Π― ΠΏΠΎΠ΄ΡΠΌΠ°Π», ΡΡΠΎ Π²ΡΠ΅ - ΠΈΠ»Π»ΡΠ·ΠΈΡ Π½Π°ΡΡΠΎΡΡΠ΅Π³ΠΎ - Π΄ΠΎΠΌΠ°, Π»ΡΠ΄ΠΈ ΠΈ ΠΈΡ ΠΈΡΡΠΎΡΠΈΠΈ. ΠΠ°ΠΆΠ΄ΡΠΉ ΠΈΠ³ΡΠ°Π΅Ρ ΠΎΡΠ²Π΅Π΄Π΅Π½Π½ΡΡ Π΅ΠΌΡ ΡΠΎΠ»Ρ. ΠΡΠΎ-ΡΠΎ ΡΠΊΠΎΠ»ΡΠ·ΠΈΡ ΠΏΠΎ Π½Π΅ΠΉ, ΠΊΡΠΎ-ΡΠΎ Π² Π½Π΅Π΅ ΠΏΠΎΠ³ΡΡΠΆΠ°Π΅ΡΡΡ. Π’Π²ΠΎΡ Π²ΠΎΠ»Ρ ΡΠΎΠ»ΡΠΊΠΎ ΡΡΠ³ΡΠ°ΡΡ Π² ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½Π½ΠΎΠ΅. ΠΠ»ΡΠ±ΠΈΠ½Π° ΠΏΡΠ°Π²Π΄ΠΈΠ²ΠΎΡΡΠΈ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΡΠ΅Π±Ρ. ΠΡΠ»ΠΈ ΠΈΠ³ΡΠ° Π½Π΅ ΡΠ±Π΅Π΄ΠΈΡΠ΅Π»ΡΠ½Π°, ΡΠ΅Π±Ρ Π²ΡΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ ΡΠ°Π· ΠΈ Π½Π°Π²ΡΠ΅Π³Π΄Π°. ΠΡΠΎ ΡΠ΅Π°Π»ΠΈΡΠΈ-ΡΠΎΡ ΠΎΠ³ΡΠΎΠΌΠ½ΠΎΠ³ΠΎ ΠΌΠ°ΡΡΡΠ°Π±Π°. Π Π½Π΅ΠΌ ΡΠΎΠΆΠ΄Π°ΡΡΡΡ ΠΈ ΡΠΌΠΈΡΠ°ΡΡ ΠΏΠΎ- Π½Π°ΡΡΠΎΡΡΠ΅ΠΌΡ. Π’Π°ΠΌ Π½Π°ΡΡΠΎΡΡΠΈΠ΅ ΡΡΠ°Π³Π΅Π΄ΠΈΠΈ, ΡΠ±ΠΈΠΉΡΡΠ²Π° ΠΈ ΡΠ°ΠΌΠΎΡΠ±ΠΈΠΉΡΡΠ²Π°. ΠΠ°ΠΊ Π² ΠΊΠΈΠ½ΠΎ. Π ΠΎΠ»ΠΈ ΠΏΠ΅ΡΠ΅ΠΏΠΈΡΡΠ²Π°ΡΡΡΡ, ΠΌΠ΅Π½ΡΡΡΡΡ, ΠΈ Π² ΡΡΠΎΠΌ Π΅ΡΡΡ ΡΠ»Π΅ΠΌΠ΅Π½Ρ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ.
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ΠΡ ΠΊΠ°ΠΊ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ ΠΏΠ΅ΡΠ΅Π»ΠΈΡΡΡΠ²Π°Π΅ΠΌ ΠΈΠ»ΠΈ ΠΏΡΠΎΠΊΡΡΡΠΈΠ²Π°Π΅ΠΌ ΡΡΠΆΠ΅ΡΡ, ΠΏΠΎΠΊΠ° Π½Π΅ Π½Π°ΡΠΊΠ½Π΅ΠΌΡΡ Π½Π° ΡΡΠΎ-ΡΠΎ, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΡΡΠ΅Π΅ Π½Π°Ρ . Π ΡΡΠΎΠΌ ΠΊΠΈΠ½ΠΎ, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΌΡ Π²ΡΠ΅ ΡΡΠ°ΡΡΠ½ΠΈΠΊΠΈ, Ρ Π½Π°Ρ, Π½Π°Π²Π΅ΡΠ½ΠΎΠ΅, ΡΠΎΠ»Ρ ΠΏΡΠΈΡ. ΠΡ Π²ΡΠ΅ Π²ΠΈΠ΄ΠΈΠΌ, Π½ΠΎ Π½Π΅ ΡΡΠ°ΡΡΠ²ΡΠ΅ΠΌ. ΠΡ Π²ΠΈΠ΄ΠΈΠΌ ΠΏΠΎΡΡΠ΄ΠΎΠΊ Π²Π΅ΡΠ΅ΠΉ Π² ΡΡΠΎΠΌ ΠΊΠΈΠ½ΠΎ, ΠΏΠ΅ΡΠ΅ΡΠ΅ΠΊΠ°Ρ Π² Π½Π°ΡΠ΅ΠΌ ΠΏΠΎΠ»Π΅ΡΠ΅ Π±Π΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΠΎΠ΅ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π»ΡΠ΄ΡΠΊΠΈΡ ΠΈΡΡΠΎΡΠΈΠΉ. ΠΠ΄ΠΈΠ½ Π²ΠΎΠΏΡΠΎΡ ΠΎΡΡΠ°Π΅ΡΡΡ Π²ΡΠ΅Π³Π΄Π°. ΠΠ°ΠΊ Π²ΡΠΉΡΠΈ ΠΈΠ· ΠΊΠΈΠ½ΠΎΡΡΠ΅Π½Π°ΡΠΈΡ? ΠΠ΄Π΅ Π·Π°Π²Π΅ΡΠ½Π°Ρ Π½Π°Π΄ΠΏΠΈΡΡ exit, ΠΈ ΡΡΠΎ Π·Π° Π½Π΅ΠΉ - ΠΎΡΠ΅ΡΠ΅Π΄Π½ΠΎΠΉ Π²ΠΈΡΠΎΠΊ ΠΌΠΈΠ·Π°Π½ΡΡΠ΅Π½, ΠΈΠ»ΠΈ ΡΡΠΎ-ΡΠΎ Π½Π°ΡΡΠΎΡΡΠ΅Π΅?
ΠΡΠ΄ΠΈ ΡΠΎΠΆΠ΄Π°ΡΡΡΡ Π²Π½ΡΡΡΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΠΉ ΡΡΠ΅Π½Ρ. ΠΠ½ΠΈ ΡΠΆΠ΅ Π½Π΅ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½Ρ. ΠΠ½ΠΈ Π΅ΡΠ΅ Π΄Π°ΠΆΠ΅ Π½Π΅ ΡΠΎΠ΄ΠΈΠ»ΠΈΡΡ, Π° ΡΠΆΠ΅ ΠΎΠ±ΡΠ·Π°Π½Ρ ΡΡΠ°ΡΡΠ²ΠΎΠ²Π°ΡΡ Π² ΠΊΠΈΠ½ΠΎ. ΠΡ Π²ΡΡ Π²Π°ΡΡΠ²Π°ΡΡ ΠΈΠ· ΠΆΠΈΠ²ΠΎΡΠΎΠ² ΠΌΠ°ΡΠ΅ΡΠ΅ΠΉ ΠΈ Π²ΠΎΡΠΏΠΈΡΡΠ²Π°ΡΡ ΠΊΠ°ΠΊ Π±ΡΠ΄ΡΡΠΈΡ Π°ΠΊΡΠ΅ΡΠΎΠ² Π΄Π»Ρ ΡΡΠΆΠ΅ΡΠΎΠ², Π² ΠΊΠΎΡΠΎΡΡΡ ΠΈΠΌ ΠΏΡΠΈΠ΄Π΅ΡΡΡ ΠΈΠ³ΡΠ°ΡΡ. Π£ Π½ΠΈΡ Π½Π΅Ρ Π²ΡΠ±ΠΎΡΠ°, ΠΊΠ°ΠΊ ΠΈ Ρ Π½Π°Ρ. ΠΡ Π²ΠΈΠ΄ΠΈΠΌ, ΠΊΠ°ΠΊ ΠΈΠ· ΠΊΠΎΡΠΌΠΎΡΠ° Π½Π΅ΡΡΡΡΡ Π·Π°ΡΠΎΠ΄ΡΡΠΈ, ΡΡΠΎΠ±Ρ ΡΠ΄Π°ΡΠΈΡΡΡΡ Π² ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° ΠΈ ΠΏΡΠΎΡΠ°ΡΡΠΈ Π² Π½Π΅ΠΌ. ΠΡΠΎ Π½Π΅ Π·Π°ΡΠΎΠ΄ΡΡΠΈ Π±ΡΠ΄ΡΡΠ΅Π³ΠΎ Π½Π΅ΡΡΡΡΡ ΠΊ Π½Π°ΠΌ, ΠΏΡΠΎΠ±ΠΈΠ²Π°Ρ Π½ΠΎΠΎΡΡΠ΅ΡΡ - ΡΡΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π» Π΄Π»Ρ ΠΏΠΎΠ²ΠΎΡΠΎΡΠ° ΡΡΠΆΠ΅ΡΠ°, Π΄Π»Ρ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ΅Π½ΠΈΡ ΠΊΠΈΠ½ΠΎ. ΠΠΎΡΠΌΠΎΡ ΡΠΎΠΆΠ΅ ΡΡΠ°ΡΡΠ½ΠΈΠΊ ΠΊΠΈΠ½ΠΎΡΡΠ΅Π½Π°ΡΠΈΡ. Π Π·ΡΠΈΡΠ΅Π»ΡΡ Π½Π΅ Π΄ΠΎΠ»ΠΆΠ΅Π½ ΡΠ³Π°ΡΠ½ΡΡΡ ΠΈΠ½ΡΠ΅ΡΠ΅Ρ.
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ΠΠΈΠΌΠ° ΠΠ»Π΅ΠΊΡΠ΅Π΅Π²
"Look Into the Sky" Book Arts
Feb 2017
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A book being put together featuring framed photos of several projects.
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"Sky Maintenance"
March 28, 2017
Dima Alekseyev presents a project for the Don White Memorial Park in the city of Roswell near Atlanta GA. The project was created with the support of Lawrence Catchpole and Rochelle Mucha - founder of the Roswell Arts Fund.
http://www.roswellartsfund.org/
The work was installed on the bridge GA-400 across the Chattahoochee River.
This project is a continuation of the main theme in Dima's exhibition titled "Look into the Sky," held in June last year at the Kremlin Arsenal museum of modern art in Nizhny Novgorod, Russia.
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"The Heavens had protected us for a long time - took our complaints, prayers, requests, gratitude and curses alike but they are in disrepair. Holes and voids have started to appear.
Now it's our turn to take care of the sky and restore its integrity and beauty."
Exploration and "humanization" of urban
Curator: Olga Tatosian (Nizhny Novgorod)
Photographer: Victor Chernyshev (Moscow)
Artists: Dmitry Alekseev (Moscow)
"I Look into the Sky"12 2016, the Arsenal's courtyard
This is a public art project of an artist Dmitry Alekseev and photographer Victor Chernyshev.
The artist will place two panel paintings and photographs from the "I Look into the Sky" series on the Arsenal's facade and in the courtyard, illustrating how his objects fit into the city space.
During the past years Dmitry Alekseev has focused his attention on urban space which he tries to make more "human" by introducing public art (public art - art in the city environment designed to be exhibited to the unprepared public and implying communication and interaction with the city space). Alekseev regards the gaps between arches of a bridge or a viaduct as space for artistic statements.
The main conceptual and artistic image in the artist's musings about reclamation of a new, unfamiliar land by a man, is the sky, which presents a fitting background for the installation: "A man, no matter to which culture he belongs, always turns to the sky. It is what he looks at when he rejoices or despairs, sends curses or gratitude. And so do I: I look into the sky." - Dmitry Alekseev.
After several projects under the bridges of the Moscow river, results of which were exhibited at the Schusev State Museum of Architecture, the artists suggested to utilize space under the Nizhny Novgorod bridges over ravines at the Fedor Ovsky embankment.





"Time"
February 10, 2017
"The concept of this work is the movement of time. Modern culture constantly refers to the culture of ancient Greece but time moves forward and moves us further and further away. All of us, just as the ancients, would like stop the flow of time, but the river of time cannot be stopped."
Displayed at the Millennium Gate Museum in Atlanta, GA.
"The Games: Ancient Olympia to Atlanta to Rio"
November 4, 2016
Displayed at the Millennium Gate Museum
in Atlanta GA.
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Six Hundreds Art Festival
June 1, 2016
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A Different Atmosphere Art Festival
July 1, 2016
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Dedicated to Andrei Tarkovsky
August 11 2016
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